Virginia Slims were introduced on July 22, 1968, by Philip Morris, and marketed as a female oriented spinoff to their Benson and Hedges brand. The blends, flavorings, color scheme, and overall marketing concepts closely followed the Benson and Hedges model. Early packs (1968 1978) read “Benson and Hedges Park Avenue New York”, near the bottom.

The first test market was San Francisco, California. Originally scheduled for six months, it was cut short after seven weeks due to the success of the introduction a nearly 3% market penetration. Distribution and marketing was implemented nationwide, and by September 30, 1968, the entire U.S. was covered. 3

  • In 1976, a 120 mm full flavor packing was test marketed in Fresno, California. Designed to compete with RJ Reynolds ‘More’ brand, the test ultimately failed and this entry was withdrawn.
  • In 1978, Virginia Slims Lights were introduced, with good success. Although early marketing concepts included soft pack, Philip Morris decided to use a box pack design only.

Throughout the 70s and early 80s, growth and market penetration was significant, drawing the attention of competitors who introduced their own slim, female oriented brands (such as American Tobacco Company’s Misty, Brown and Williamson’s Capri, Liggett’s Eve, and R.J Reynolds’ Dawn).

  • In 1984, Virginia Slims Ovals were test marketed, but were unsuccessful and withdrawn. Ovals were light, and had an oval shaped cross section.
  • In 1985, Virginia Slims Luxury Light 120s were introduced a 120 mm length packing again intended to better compete with RJ Reynolds ‘More’ brand, as well as other 120s on the market. The introduction was successful. This packing has since become a mainstay of the smoking glamour community. It is arguable as to whether VS120s are truly ‘light’, since their rating numbers compare more closely to full flavor.
  • In 1987, Ultra Light 100s were introduced, in keeping with changing consumer tastes, other competitive entries, and the Benson and Hedges model. Marginally successful, this packing remains on the market today.
  • In 1989, Ultra Light SuperSlim 100s were introduced, in response to ultra thin (21mm circumference) competition and consumer demand for a ‘low smoke’ product entry. These were also marginally successful, and remain on the market.
  • In 1993, a 10 Pack version of Light 100s were introduced, with 10 cigarettes per pack, costing approximately half the price of a 20 pack. This entry had limited success and came under attack from critics. It was ultimately withdrawn.
  • In 1994, Virginia Slims Kings (85mm length) were designed as a discount entry and possibly to compete with other king size entries such as RJ Reynolds’ Camel brand. It is not clear whether Kings were ever test marketed, but they were never introduced on a nationwide basis.
  • In 2003, a box pack was introduced for full flavor 100s, in response to consumer demand. This packing is steadily displacing the classic soft pack.
  • In 2004, Ultra Light 120s were introduced with marginal success. It is likely that this packing will continue to be supported.
  • In 2008, Virginia Slims Superslims introduced a smaller size “Purse Pack.”

All packings were simultaneously introduced in both Menthol and Non menthol (e.g., Regular or Filter) varieties. Unlike most other brands, Menthol represents 40% 55% of the total sales of a particular packing (vs. 25% 35%).

In all, there have been 11 packings introduced or test marketed in the US, of which 7 are still on the market. There are other varieties marketed in the Asian Pacific region (including the Philippines, Malaysia, Indonesia, Singapore, Hong Kong, Thailand and Vietnam), Russia, and South Africa. Virginia Slims has never had a significant European or South American presence.

Marketing edit

From inception, Virginia Slims have been designed and marketed as a female oriented fashion brand, generally targeted towards a younger demographic (18 35 year olds). While various themes have emerged in the marketing campaigns over the years, the basic threads have been independence, liberation, slimness, attractiveness, glamour, style, taste, and a contrast to men’s cigarettes. 4

In the 1960s and 1970s, the themes of feminism and women’s liberation, with the slogan “You’ve Come A Long Way, Baby” were often used in the ads, and often featured anecdotes about women in the early 20th century who were punished for being caught smoking, usually by their husbands or other men, as compared to the time of the ads when more women had equal rights, usually comparing smoking to things like the right to vote. 5 6

Television and print ads often featured well known models and designer fashions. Print ads were generally placed in women’s magazines, and formed the mainstay of the marketing campaign, supplemented with billboards and point of purchase displays. From 1969 until 1971 (when cigarette advertising on television became prohibited), television advertising was an important component the commercials would begin with actors dressed in period costumes re enacting the early 20th century anecdotes in comedic fashion, followed by a glamorous modern day model, smoking the product while proudly dressed in the latest fashions, accompanied by “You’ve Come A Long Way, Baby”, which in the commercials was an up tempo, catchy pop rock jingle

You’ve come a long way, baby To get where you’ve got to today You’ve got your own cigarette now, baby You’ve come a long, long way

Virginia Slims also sponsored the Women’s Tennis Association Tour. This sponsorship is sometimes credited for the growth and success of women’s tennis during the 1970s and early 1980s.

Several other, less important, marketing vehicles were employed, such as the Virginia Slims Book of Days (a day timer/calendar book), fashion shows, and an extensive line of products, apparel, and accessories.

The Leo Burnett advertising agency handled the Virginia Slims account throughout most of the product lifetime.

Market share edit

From its inception until 1978, Virginia Slims saw a steady increase in market share to 1.75% (3.9% of all female smokers). With the introduction of Lights in 1978, the market share increased to 2.5%. Other packings, including 120s, Ultra Lights, and Superslims helped push the market share to a peak of 3.1% (nearly 7% of female smokers) in 1989. With increased competition from other brands, notably Capri and Misty, the brand lost ground but stabilized at around 2.4% though 2003. Since then, it has lost about .1% per year, and was 2.0% in 2007 and 1.8% in 2009. This slow but steady decline is expected to continue, since the brand is no longer heavily promoted. Despite this, brand loyalty is well above average, and is still one of the highest in the industry.

USA Varieties edit

Virginia Slims are 23mm in circumference and are not available in king size (85mm).

  • Virginia Slims 100’s Soft and Box
  • Virginia Slims Gold Pack (Lights) 100’s Box
  • Virginia Slims Gold Pack (Lights) 120’s Box
  • Virginia Slims Silver Pack (Ultra Lights) 100’s Box
  • Virginia Slims Silver Pack (Ultra Lights) 120’s Box
  • Virginia Slims Menthol 100’s Soft and Box
  • Virginia Slims Menthol Gold Pack (Lights) 100’s Box
  • Virginia Slims Menthol Gold Pack (Lights) 120’s Box
  • Virginia Slims Menthol Silver Pack (Ultra Lights) 100’s Box
  • Virginia Slims Menthol Silver Pack (Ultra Lights) 120’s Box

Superslims edit

Superslims are 21mm in circumference and half the diameter of regular Virginia Slims. They are also known as “purse packs.”

  • Virginia Slims Superslims Box
  • Virginia Slims Superslims Gold Pack (Lights) Box
  • Virginia Slims Superslims Menthol Box
  • Virginia Slims Superslims Menthol Gold Pack (Lights) Box< /li>

References edit

Harriet’s gun media – bumming cigarettes

California considers banning online tobacco, e-cigarette sales В« cbs sacramento

Bumming Cigarettes is a short film about a brief and intimate meeting between a young Black lesbian woman who is in the process of taking an HIV test and a middle aged Black Gay HIV Positive man. Coming off of the devastation of a bad breakup with a girlfriend, Vee musters up the courage to go and take an HIV test to put her worst fears to rest. What she experiences during her trip to a local clinic is much more than she expects while sharing a cigarette with a stranger, Jimmy, during the 10 minutes that she awaits her test results.

Alia Hatch makes a strong debut in this short film, as a young Black lesbian woman looking to discover her status. This is a breakthrough performance for James Tolbert, a native Philadelphian and professional actor living with HIV for 21 years. Alia and James deliver a moving performance in this film that explores complex issues surrounding the HIV/AIDS epidemic including the loss of intimacy and stigma that persons living with HIV/AIDS may encounter, while also encouraging awareness around HIV/AIDS testing and the way we treat persons living with the disease.

Starring Alia Hatch, James Tolbert, Gerloni Cotton, Vincent Du, Zerandrian Morris, Kaamilah Milton, Gary Kramer, Peaches Jones, Katrina Clark, Johnny Rans

CREW
Executive Producer/Director/Writer tiona.m.
Cinematographer Sienna Pinderhughes
Sound Recordist Richard Hamilton
Original Music & Film Score Rucyl Mills
Line Producer Gala P. Goodwin

Film Festival Screenings

2012 Philadelphia QFest Philadelphia, PA

2012 BlackStar Film Festival Philadelphia, PA

2012 Corona Cork Film Festival Cork, Ireland

2013 Langston Hughes African American Film Festival

2013 Sistah Sinema Screening Tour Atlanta, Greensboro, Portland, Cleveland, Chicago,

2013 frameline San Francisco International LGBT Film Festival

2013 Long Island Gay & Lesbian Film Festival

2013 Fresno Reel Pride Gay & Lesbian Film Festival

2013 GFest Gaywise Fesitival London

2013 Queer Film Festival MEZIPATRA Prague & Brno, Czech Republic

2014 Queens World Film Festival2014 Massimadi Afrocaribbean LGBT International Film Festival 2014